Ahead of Sunday’s Canadian Screen Awards, Barry Hertz, Radheyan Simonpillai and Amber Dowling present the changemakers whose creativity, ideas and sheer will are reshaping the country’s TV industry for the better
. Marblemedia also boasts a wealth of scripted content, a successful YouTube channel, marbleKids and global distributor Distribution360. Together these business partners continue to diversify Marblemedia’s content, guiding it into one of Canada’s biggest independent production, distribution and digital media companies.Steve Craft/The Globe and Mail
There may not be anyone as well-versed in the essential history, footnotes and arcana of Canadian film and television – and how to use that institutional knowledge as tea leaves for reading the future – than Michael MacMillan.
The official ringleader of Canadian Screen Week, former Sudbury Film Festival head Tammy Frick is barely half a year into leading the Canadian Academy but has already made her mark, helping the institution roll out unprecedented changes and shepherding it through its first big bash since the pandemic, including snagging Samantha Bee as host for this year’s broadcast.
When Amar Wala won the BMO-DOC Vanguard Award five years ago, he donated the prize money to cléo journal, the feminist film magazine that was platforming diverse critics at a time when few thought such representation mattered. But such causes always mattered to Wala. His focus since breaking out with the 2014 documentaryhas been about amplifying and making room for marginalized voices.
TV writers usually go unnoticed as they toil away in arguably the most unloved sector in the business. But it’s impossible to ignore JP Larocque. They broke into the industry by creating, a caustically funny web series available on OUTtv, and have since amassed writing and producing credits on
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